Some Things Are So Small (a short screenplay)
INT. BEDROOM. DAY.
A LITTLE GIRL, aged 8, lays awake in bed. It’s morning. No noise from the rest of the house.
She gets out of her bed and walks out of her room.
INT. HOUSE. CONTINUOUS.
She walks down the hall past her PARENTS’ room. They’re still asleep.
She walks down the stairs and goes into the KITCHEN.
INT. KITCHEN. CONTINUOUS.
The Little Girl walks to the refrigerator and pulls down a carton of orange juice. She takes a clean glass from next to the sink and pours some juice.
She puts the carton down, looks across the floor to notice BARKLEY, the family dog, dead on the kitchen floor.
She drops the glass and it shatters on the floor.
INT. LIVING ROOM. DAY.
MOM, DAD, and Little Girl, are in the living room. Mom comforts the Little Girl on the couch while Dad paces around the room.
DAD
I cannot believe this.
MOM
I know. I thought he had more time.
GIRL
Was he sick?
MOM
I don’t know honey.
GIRL
Then why did he die?
Little Girl sniffles a little.
DAD
He was just old sweetheart. That’s what old dogs do.
MOM
Really? Could we maybe hold off on one’s like that?
DAD
Sorry.
(beat)
Barkley’s in a better place now kiddo.
GIRL
He’s in a bag in the backyard.
DAD
Well, yeah sure he is but he’s going to be…
(beat)
I mean he’s already…
(beat)
He’s in a better place. Trust me.
MOM
So what do we do?
DAD
I don’t know. I’ve never dealt with anything like this.
(beat)
God I wish we were dealing with a goldfish or a hamster or something. Something we could flush down the toilet.
GIRL
You can’t flush a hamster down the toilet.
DAD
Do we take him to the dump? We can’t just put him in the trash.
GIRL
We have to bury him. I don’t want him to go to the trash.
DAD
We’re not going to put him in the trash sweetie but we can’t just bury him in the back yard.
MOM
We can’t?
DAD
Well I just don’t think it’s such a good idea. I’m not even sure it’s legal.
GIRL
We have to bury him! We have to bury him!
She crosses her arms keeps repeating herself until Dad relents.
DAD
Okay okay. We’ll bury him in the backyard under the old tree.
(to Girl)
Is that okay? Will that make you feel better?
She nods, sniffles a little.
DAD (CONT’D)
Good. Now go on up to your room okay?
She nods again. Goes upstairs to her room.
DAD (CONT’D)
This is so fucked.
MOM
You’re probably right you know, we really shouldn’t be burying a dead dog in the backyard.
DAD
We’re not going to. I mean, we’ll put him down there, then I’ll dig him up late tonight and take him to the dump. It’s the only sensible solution.
MOM
Gross.
DAD
You’re telling me.
EXT. BACK YARD. DAY.
Dad is digging a hole in the backyard under a tree.
Little Girl walks out into the back yard and watches as he digs out the last few shovelfuls of dirt and steps out of the hole.
She turns her eyes to Barkley, in a burlap sack against the base of the tree.
DAD
Come on sweetheart. I’m going to go wash up. Let’s go inside.
He walks into the house but she doesn’t follow.
She stands there staring at the sack.
After a moment, she picks up a stick and walks over and pokes it a few times, with no response.
She sets the stick down and sits at the edge of the grave with her feet dangling over the side.
GIRL
(to Dog)
Sorry I poked you.
She digs around in the loose dirt with her fingers.
After a moment, she looks up at the sack, hands still sifting through the dirt.
GIRL (CONT’D)
So, what’s it like in there?
(beat)
I was in never in a bag before.
(beat)
I know you can’t answer cause you’re in heaven. And also cause you’re a dog. But I was wondering what it was like when you died. I mean for you.
(beat)
Were you sleeping? Or were you just being a dog and then you died? Were we all asleep? What time did it happen?
(beat)
I know you’re there in the bag but what happens now?
Little Girl finds a brightly colored lady bug hidden in the dirt.
She holds it up on the end of her finger for the burlap sack to see.
GIRL (CONT’D)
Did you ever see one of these?
(beat)
Some things are so small.
Just then, Dad yells from the house.
DAD
Get out of there kiddo. Come inside.
Little Girl shakes the lady bug off her hand, gets up and runs into the house.
INT. BEDROOM. DAY.
Little Girl sits on her bed. She places a tennis ball in a shoebox. The shoebox already contains: a dirty old stuffed dog toy, a chew bone, and several photographs.
She gets up and walks over to her dresser, on top of which sits a glass fishbowl with a gold fish swimming around in it.
She picks up the fishbowl and walks it cautiously into her bathroom.
IN THE BATHROOM
Little Girl holds the fishbowl and looks at the fish.
She then tips the bowl over the sink and carefully empties out all the water, leaving the fish flopping about at the bottom.
She watches as it slowly dies, then takes it in her hand and wraps it in toilet paper.
IN THE BEDROOM
Little Girl places the wrapped up fish in the shoebox then places the lid on top.
She writes “For Barkley” in marker on the lid.
EXT. BACK YARD. DAY.
Mom, Dad, and Little Girl are standing along the gravesite, dressed in funeral clothes. The Little Girl has a paper grocery bag over her head with two holes cut for her eyes.
Barkley is already in the hole.
MOM
(to Girl)
Do you want to say something honey?
Little Girl shakes her head no.
Mom turns to Dad, nods at him suggestively.
DAD
Okay, alright. Umm, let’s see.
(beat)
Well, I think we can all agree we lost a friend today. Barkley was 14 years old, in human years, which made him quite an old timer in dog years. We had him for most of the that, and as far as dogs being dogs he was great. He was the greatest.
(beat)
Always there to say hello when you got home. Always there to watch TV with you or sleep on your feet. I’m sad to see Old Barkley go, but I think it’s safe to say he touched us all, and he’ll always be with us. In our backyard.
Little Girl takes the bag off her head. Tears are rolling down her cheek.
After a long moment she looks up at her mother.
GIRL
Do you think Barkley would want us to get a new dog?
MOM
We’ll talk about it after dinner.
Little Girl puts the bag back on her head, takes her Mother’s hand and watches as Dad fills the rest of the grave with earth.
Untitled Scene (George & Harsukh)
INT. ELEVATOR. NIGHT.
GEORGE, 50’s, runs into the elevator, followed closely by HARSUKH, a Sikh man in his 20’s.
George frantically pushes the button for the lobby.
A chorus of groans can be heard in the near distance.
The elevator door closes and starts heading down.
After a moment, George presses the emergency stop button.
They’re both trying to catch their breath. George wears jeans and army jacket, with an American flag shirt underneath, the words “Never Forget” blazoned across the front. Harsukh wears a worn in black suit and an orange turban.
George suddenly pulls a .44 Magnum from his jacket.
HARSUKH
Hold on, wait. Before you do anything, I’m a Sikh and an Indian.
GEORGE
I’m not going to shoot you.
HARSUKH
Oh.
GEORGE
You say you’re Indian. Where’s your accent?
HARSUKH
I was born in Brooklyn.
GEORGE
Of course you were.
HARSUKH
My name’s Harsukh.
GEORGE
George.
HARSUKH
It’s nice to meet you.
GEORGE
I gotta be honest with you, I don’t really like the look of you. Three weeks I might have acted differently regarding that, but right now what I’m concerned about is the gang of brain eatin’ zombies roaming around this building looking for us.
HARSUKH
Right.
(beat)
So, what do we do?
GEORGE
Wait. At least for now, give ‘em a chance to get interested in something else.
HARSUKH
And then what?
GEORGE
I don’t know.
Harsukh sits down in the corner.
HARSUKH
So what did you do, before, you know, it all fell apart?
GEORGE
I was a firefighter. Retired.
(beat)
What about you?
HARSUKH
I taught poetry at Columbia.
GEORGE
Wouldn’t have pegged you for that.
(beat)
How’s that poetry been coming in handy for you these last few weeks?
HARSUKH
I’m still alive.
GEORGE
Fair enough.
George sits down in the opposite corner. He takes a candy bar from his jacket, unwraps it, then breaks it in half, hands half to Harsukh.
HARSUKH
Thanks.
GEORGE
Sure.
(beat)
You said you’re a what now? A Sikh?
HARSUKH
Yeah.
GEORGE
And what do Sikhs believe?
HARSUKH
It’s not all that different from any other religion when you get right down to the basics. There’s a god, one god, and the point of life is to one day become one with him.
GEORGE
One god huh? I thought you guys had hundreds.
HARSUKH
That’s Hinduism.
GEORGE
You guys believe in reincarnation?
HARSUKH
Yes.
GEORGE
Then if you just keep coming back again and again how do you ever become one with God?
HARSUKH
I don’t know. Live the right life I guess.
GEORGE
The Sikhs have anything to say about zombies?
HARSUKH
Not that I know of.
GEORGE
All my life I believed in God, not that I was ever all that religious, but I believed. Then this happens and all I can think to myself is what the fuck?
HARSUKH
Tell me about it.
GEORGE
God really dropped the ball on this one.
(beat)
I’ve seen plenty of bad things happen in my life and I still believed, but I never thought I’d live to see the end of the world. That God, any God would let this happen.
HARSUKH
You think that’s what this is? The end of the world?
GEORGE
If it walks like a duck…
HARSUKH
I guess you’ve got a point there.
GEORGE
How many actual people you think are still alive in this city?
HARSUKH
Not many.
GEORGE
Not many. I can’t imagine it’s much better any other place.
HARSUKH
Did you know it’s New Years Eve? I completely missed Christmas.
GEORGE
You celebrate Christmas?
HARSUKH
Not really. Still a big day on the calendar though.
GEORGE
It’s funny, you know when I used to picture the end of the world I always figured it’d be guys look like you who’d be behind it. Nuclear holocaust, bioterrorism and what have you.
HARSUKH
Guess the zombies proved you wrong.
GEORGE
Guess the zombies proved me wrong.
HARSUKH
Did you ever wonder about…
GEORGE
Hold on. Ssshh.
George stands up, Harsukh quickly follows.
GEORGE (CONT’D)
Do you hear that?
NOTHING BUT SILENCE
HARSUKH
No.
GEORGE
I think they’re gone.
HARSUKH
Are you sure?
George strains to listen.
GEORGE
No.
Untitled Scene (Mother & Child)
INT. HOUSE. NIGHT.
IN A BEDROOM
ELOISE, late 30’s, is getting ready for a date.
Her son, JESSE, 9, follows her around as she puts herself together.
ELOISE
We can’t just keep going over this again and again.
JESSE
But why do you have to go out? It’s night time.
ELOISE
Sometimes grown ups need to go out at night.
JESSE
Where are you going?
ELOISE
I already told you, to dinner, with a friend.
JESSE
What friend?
ELOISE
Mr. Gates, from your school.
JESSE
He has too much hair on his face.
ELOISE
It’s called a beard, and some people like them.
JESSE
I know what a beard is.
ELOISE
Of course you do.
JESSE
Please don’t go.
ELOISE
Honey, I have to. I’ve already made plans.
His eyes start to well up with tears.
JESSE
Please…
ELOISE
Baby, what’s wrong? Where’s all this coming from?
JESSE
I just don’t want you to go.
ELOISE
It’s really not such a big deal. We can’t do this every time I have to go someplace without you.
JESSE
But what if something happens to you?
ELOISE
What’s going to happen to me?
JESSE
Like a car accident. Like that one we saw last Halloween when the cars exploded.
ELOISE
You shouldn’t think about things like that.
JESSE
I know those people died.
ELOISE
I’m not going to get in a car accident.
JESSE
How do you know?
ELOISE
I just know. I’ll drive carefully. Promise.
JESSE
But what if you just didn’t come back?
ELOISE
How could you ever even think something like that? I hate that I ever have to leave you at all.
JESSE
But my dad left.
ELOISE
Well, I’m not your dad.
JESSE
Why did he?
ELOISE
He wasn’t ready to be a father.
Jesse follows her into the bathroom.
IN THE BATHROOM
Eloise does her hair and make up.
Jesse pulls up a stool and stands next to her, looking in the mirror, examining his face with his fingers.
He turns to her, watches her apply eyeshadow.
JESSE
Do I look more like him, or you?
ELOISE
You’ve got my nose but those eyes definitely came from your father.
JESSE
What about the rest?
ELOISE
The rest is all yours.
JESSE
What do you mean, he wasn’t ready to be a father?
ELOISE
We’ve talked about this. When I told him we were going to have you I asked if he could promise he would always be there. He said he couldn’t so I told him it was better he leave.
JESSE
Why don’t you have any pictures of him?
ELOISE
I know you’re mad about that. I’m sorry. At the time I didn’t think…Sometimes when grown ups decide not to see each other anymore they get rid things like pictures that remind them of the other person. Because it makes them sad. Remembering makes them sad.
JESSE
But so you were ready to be a mother?
ELOISE
I’m here ain’t I?
She musses his hair jokingly.
Eloise walks back into the bedroom. Jesse hops off the stool and follows her into the living room.
IN THE LIVING ROOM
Eloise gathers her keys, purse, and phone.
She turns and sees Jesse standing there. His eyes start to well up again and he rushes toward her sobbing.
JESSE
Please, please, please don’t go. I’ll clean my room. I’ll be good now forever.
ELOISE
You’re already good. You’re the best son a mother could ask for.
JESSE
Then why are you leaving?
ELOISE
I’m not leaving you. I’m leaving the house, and only for a little while. I’ll be back, I promise.
JESSE
Okay.
(beat)
When?
